Unstoppable is, interestingly, a lot like the runaway train that the film centers on. It feels like it gets a slow start, but as it picks up speed, you can’t tear your eyes away from some great pacing and acting and by the end you are clutching your armrest.
It’s a mighty fine entertainment from Tony Scott.
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Released November 12, 2010
Written by Mark Bomback (based on true events)
Directed by Tony Scott
Starring Rosario Dawson, Jessy Schram, Denzel Washington, Chris Pine, Kevin Corrigan, Ethan Suplee, Kevin Dunn, and Lew Temple. Oh, and a really big train.
* * * * *
The story of Unstoppable is simple: a train hauling tons of toxic chemicals gets away from its rather careless conductor and picks up speed as it heads toward some seriously populated areas. It’s going to kill a lot of people unless two men can find their courage and stop the thing while bucking the orders of the train company’s head honcho and working for a no-nonsense supervisor.
The film opens with Will (Pine) starting his day. He apparently is on the outs with his lady, Darcy (Schram) and is in something of a funk. He appears to be related to a bigwig in the train company for which he works as a conductor. He is slated to work with rail veteran Frank (Washington), who has two grown daughters and is pretty philosophical about life. Will and Frank’s day goes just fine until they find out that they’re on a crash course with an out of control train.
Dewey (Suplee) is the nimrod that allowed the train to get out of control. Connie (Dawson) is the tough, no-nonsense, but desperate supervisor who has to figure out how to keep the train from killing people. She has to deal with railroad execs who are far more focused on the dollar (of course) than on practicalities and people. She also has to try to keep Will and Frank alive as they decide to do more than just avoid the train.
Solutions are come up with, tried out, discarded, and all leads to Frank and Will being faced with a decision that will test their grit and courage. The final twenty minutes are some of the tensest moments you will experience in a movie.
Tony Scott discards some of his usual tools, such as overly dramatic lighting and at times too-frenetic camera work. He still uses interesting angles and helps the viewer get into the movie from fascinating perspectives, but none of these are done for the purpose of art. They are done to enhance the tension of the film.
Unstoppable works so well because the two main characters are written with an eye to the tension that exists between a rookie and a veteran, where the rookie is somewhat entitled and too big for his britches. It also works well because it does not flag in its pace, it focuses on what people are doing about this train and the personal sacrifices involved, and it explores courage very effectively.
Despite some predictability and a few overly dramatized scenes, this is a good movie.
Be careful. Like The Fighter, this movie packs a totally unseen punch– unseen that is until you get hit. Unstoppable is a great date movie because it engages and delivers an emotional wallop that will leave any two people on a date with plenty to appreciate and talk about.
Content warnings: some language and some very tense situations and painful events.
Writing: 4.5 Acting: 5 Overall: 4.5
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